TAKO-KARAKUSA VASE Octopus Arabesque Japan Pottery Vintage Arabic Japanese Blue White Swirling Geometric Moorish Ceramic Imari Legs authentic Unmarked
Vintage/Antique Moorish/Arabic Porcelain/Ceramic Vase Measures approximately 8" tall x 3.25" wide. Vase is either ceramic or pottery. It has a geometric, blue, repetitive, swirling gear-like design with a white/gray background. Tiny nick in glaze on top rim which caused a short line of crazing in glaze on exterior and interior neck. Does not detract from beauty of this vase. Vase is glazed on exterior and interior. Unmarked. Wasn't sure where this unusual patterned vase came from. An Etsy viewer kindly added "I think this could possibly be a Japanese piece. The pattern is Tako-karakusa. This is the Octopus pattern or Octopus arabesque pattern." Purchased at an estate sale with items from all over the world. Beautiful, for decor or your collection!
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**Arabesque Pattern
Many Imari ware have arabesque designs. Early arabesques were drawn delicately. However overtime, the style became rougher. In the mid Edo era, the pattern resembled octopus legs It is called Tako-Karakusa . "As the English name suggests, this very old pattern originated in the Middle East; the earliest forms of arabesque were designs taken from the date authentic palm, lotus and other plants. The pattern was transmitted to Japan through China and the Korean peninsula, and was adopted not only in Buddhist decorative arts but in other crafts and industries as well. In porcelain making, which started in Arita in the early 17th century, the karakusa design was incorporated very quickly as a way of decorating the edges of dishes, and there are examples in which it was used as the main motif, as well. Beautiful variations developed, including the hana-karakusa (flower arabesque), tako-karakusa (octopus arabesque) and a finely detailed arabesque of tiny leaves known as mijin-karakusa. Over time, the karakusa motif evolved from being merely decorative to carry auspicious meaning; continuous, connected patterns came to be seen as symbols of longevity, fertility and continuity of family line. From the 18th century, the karakusa arabesque was a mainstay design in Arita ware, popular with buyers who wished for eternal good fortune, and eventually spread to the common people." From: (https://www.tokyoartbeat.com/event/2016/6F85.en)